Alternative genres such as science fiction, fantasy or utopia spawn stories that feed surprising reservoirs of images. Contemporary memory delves into them without preconceived ideas, shining a light on its fears and fantasies.
For example, genre cinema abounds with weird works that engender certain myths of modernity. The cinematographic framework features ironic, outrageous landscapes and situations. The depiction of difference assumes all its value in this over-the-top system. Decadent characters—giants, vampires, zombies, extra-terrestrials, mythological creatures, abnormal and deformed beings— move about amongst humans the best they can. Their awkward bodies are the archetypes of a continuously redefined world.
The Scary Monsters! exhibition confronts us with the idea of the norm, the relational foundations that make us part of a group or separate us from it. Eschewing the clinical process of a learned bestiary, it is based not on demonstration but on monstration. The goal is to address the visual means set up by the photographic space in order to create the monster, thereby exposing not just the gestures and the gaze the monster itself provokes, but also the gestures and the gaze that make up the monster.
The show’s approach is not limited to the contemplation of abnormality, but also asks us to visit the fringes of what tends to make us more or less human.
Born 1978 in Vevey, Switzerland.
Lives and Works in Pomy, Switzerland.
Marc Atallah is the director-curator of the Maison d’Ailleurs as well as a lecturer and researcher in the French Department of the University of Lausanne. His work focuses mainly on the mythology of popular culture (super heroes, artificial creatures, etc.), conjectural literature (utopia, dystopia, science fiction) and theories of fiction applied to video games and American comic books. He has written many scientific and general public articles and co-published several books, including Souvenirs du Futur(2013), Pouvoirs des jeux vidéo (2015), Portrait-Robot ou Les multiples visages de l’humanité (2015) andL’Art de la science-fiction (2016).
Born 1977 in Lausanne, Switzerland.
Lives and works in Switzerland.
As the curator of the Maison d’Ailleurs, Frédéric Jaccaud manages some 100,000 pieces relating to science fiction, utopian and imaginary culture. Specialising in offbeat works, he regularly publishes scientific articles on genre literature, including Science et science fiction (2010), Souvenirs du futur(2013) and Atrocity Exhibition Archive Paradoxe (2013). Jaccaud is also a novelist influenced by Ballard, Burroughs, Artaud, and Bataille. Since his first book, Monstre (2010), he has published dark, unclassifiable works in Gallimard’s Série Noire: La Nuit (2013), Hécate (2014), and Exil (2016).
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